From Aliens to Apartheid

Reimagining Segregation in Neill Blomkamp's District 9 (2009)

Authors

DOI:

https://doi.org/10.22151/politikon.57.CON1

Keywords:

Film, South Africa, Apartheid, Racial Justice, Fiction

Abstract

This review analyzes how Neill Blomkamp’s 2009 film District 9 uses an alien species forced into a refugee camp as an allegory for the institutionalized racial discrimination experienced in South Africa under apartheid. Three key aspects are explored in the following paragraphs: 1) District 9’s resonance beyond typical sci-fi entertainment by engaging with pressing sociopolitical issues; 2) Its representation of dehumanization and oppression of marginalized groups through the alienation of the aliens; and 3) The film’s innovative mockumentary style blending fiction with documentary realism to enhance emotional impact.

References

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Du Bois, W.E.B. 2020. The Souls of Black Folk: Essays and Sketches. Orinda, CA: Seawolf Press.

Haarhoff, Errol J. 2011. “Appropriating modernism: Apartheid and the South African township.” A| Z ITU Journal of the Faculty of Architecture 8, no. 01: 184-195, https://www.az.itu.edu.tr/index.php/jfa/article/view/645.

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Mulvey, Laura. (2006). “Visual Pleasure and Narrative Cinema”. In Media and Cultural Studies: Keyworks, edited by Meenakshi Gigi Durham and Douglas M. Kellner, 342-352. Oxford: Wiley-Blackwell.

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Published

2024-05-16

How to Cite

Rosas-Salazar, Vladimir. 2024. “From Aliens to Apartheid: Reimagining Segregation in Neill Blomkamp’s District 9 (2009)”. Politikon: The IAPSS Journal of Political Science 57 (May). Online:51-57. https://doi.org/10.22151/politikon.57.CON1.

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